Adding PUNCH to Action Scenes

Here’s a replay of one of Attacking the Page’s original posts.

You can use fighting terminology to make your action scenes more interesting.  More specific words can add power to your pages.  This post will focus on punches and other hand strikes.  I’ll cover kicks another week.

The first thing you need to know is that fighter will generally angle her body away from her opponent to give the opponent fewer vital body targets. One foot will be slightly ahead of the other.  Fists will be raised to the chin to block any income punches, and mimicking his stance, one hand will be ahead of the other.  If the fighter is right-handed, she will generally put her left shoulder to her opponent. This leaves her dominant hand in the rear for power striking.  More on power later.

Visualize this.  If you stand squarely in front of another person, your entire body is facing his.  Your most vital organs/targets are in a straight line from your nose to your groin.  If you turn your body on an angle, your shoulder, arm and hip naturally block these areas.

There are four basic punches, which are put together into combinations.

jab – a short punch with the lead hand.  Since it’s not the most powerful strike, it usually goes to a weak area like the chin or nose.  Or it’s used to set up another punch.  Stepping into the punch makes it stronger by utilizing the fighter’s forward momentum.

cross – a stronger punch with the hand farthest from the opponent. The fighter’s body twists, driving forward from the hip, to generate additional power.  Common targets are the nose, chin and solar plexus.

hook – a punch that circles around to strike the opponent from the side.  Can go to the head, chin or body.  Because of the circular path, hooks to the body often connect with the ribs.

uppercut –  An inverted fist that drives up into the opponent’s chin or solar plexus.  The blow will originate in the hip area. A fighter will sink down a bit and use her legs to increase power.

Watch this Muay Thai kickboxer train her jabs, crosses and jab/cross combinations.

An experienced fighter will always keep her non-striking hand near her head/chin to block any incoming blows.

heel palm – A female fighter will use the heel of her hand instead of a fist when striking bony areas like the nose or chin of a male opponent.  This is because the bones of her hand are thinner and will likely be broken if she bare-knuckle punches a thicker-boned man in the face.  Unfortunately, if he punches her, it’s the bones of her face that will give.  Think of  a collision between a VW bug and a Yukon.  Doesn’t matter which car hits which, the bug is the one that’s going to get squashed.

Yes, I know, the women on TV punch men in the face all the time, but we’re talking reality here.

Other less common hand strikes include:


backfist – hits with the back of the knuckles

Hammer fist – strikes with the bottom of the fist in the same way you swing a hammer

chop – outside blade of the hand

thumb strikes/finger darts – eye strikes

half-fist – fingers bent at the second knuckle, fits nicely in the throat

claw – fingers curled in a claw, usually rips a soft target like the face or groin

elbows – extremely strong strikes

If you’d like to see these strikes in action, try searching on YouTube for videos.


5 responses to “Adding PUNCH to Action Scenes

  1. Wow! Some really good information here! Thank you!

  2. So glad you liked it, Shawna! Thanks for stopping by.

  3. What a wonderfully informative post for us non-fighter writers, thank you!

  4. Nice to see you here, Jenny! Your welcome. Stop back again.

  5. Pingback: Writing Fight Scenes | Attacking the Page

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